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Ispahan

Ispahan – channeling the sounds of the old Orient

I live in Asia Minor, and when I first heard the melancholy and mysterious strains of Christian "Kiane" Fromentin's Ispahan, my first thought was that this guy must be making music in my local area. I was surprised to find out that he's actually in France - he just has a very innate sense of what the region of the Near and Middle East sounds like, and a talent for evoking nostalgia... even for listeners who have never been to this part of the world.

…anabase* “Le bonheur flou Le bonheur flou” – so good, you won’t notice the language barrier

People often ask me how many languages I speak, simply because my music collection holds so many international artists who don't sing in English. But to tell the truth, I don't require a song to be sung in a language I understand, in order for me to be able to connect with it. If you never thought you could get into music in any language other than English, I urge you to give Anabase's Le Bonheur Flou a try.

Ten and Tracer’s Tsotsitaal – hurry and jump on the very slow bandwagon

Ambient music is one of those things that people either hate or really hate, and I used to be in both those groups until an ambient-loving friend of mine sat me down to set me straight. "You don't have to have songs shoved down your throat," he said. "Just close your eyes and float, and you'll find that music is all around you." At the time I rolled my eyes at the tree-hugginess of it all, but really I do take his point.

Jan Felipe “Abril” – indietronica with a truly international flavour

One of the things I really love about Creative Commons music is the potential to connect directly with artists. It helps increase my enjoyment of the music, knowing a little about what these musicians are like and understanding their drive to create. Often they contact me via last.fm after seeing their albums in my library, and the conversation develops from there. Sometimes, as in the case of Brazilian songwriter Jan Felipe, it can lead to some very interesting things.

Revolution Void “Increase the Dosage” – free energetic nu-jazz and trip-hop album

Proving that music never truly died in the region, after its heyday in the early 1990s, Seattle native Jonah Dempcy’s project Revolution Void reached a funkified zenith after 8 years in existence with its 2004 release Increase The Dosage. The energetic nu-jazz and trip-hop blending in the album actually harkens back to jazz fusion groups of the 70s and 80s, like Weather Report or Chick Corea’s Return to Forever.

MixGalaxy’s Various Artists 2:22 – amazing 22-track conceptual album

This is a second official compilation from MixGalaxy Records. "This time authors have been given a task to create full music composition strictly 2 minutes and 22 seconds long, while being completely free in genre choice. This means, once again, that this album is followed by wide variety of moods and music styles. Besides musicians represented on the first release, several new names are introduced here. And yes total number of tracks is 22. Enjoy!"

Bankai “Teen Slut Pimp Strut” – fast & funky electronica album

Bankai is a awesomely creative glitch/nerdcore electro producer from Melbourne, Australia. His first release, an EP titled "Quarter Circle Punch", was very successful & popular among the music blogs, private torrent trackers and independent music sites like thesixtyone.com. Just half a year later, Bankai is out with his second energy-loaded album "Teen Slut Pimp Strut".

Hello Citizen “Play This At My Funeral” – an acoustic rock album produced by the great one man band

Ben Wolman has done it yet again! The one and only member of Hello Citizen produced another album that will push Rockers to their limit. “Play This At My Funeral” is Hello Citizen’s second amazing album, packed with jaw-dropping acoustic play and Indie Rock vocals that fits the mood of every listeners. It doesn’t matter if you are in your teens or in your mid-20’s and up, Hello Citizen knows how to mesmerize fans with his very awesome musical gift.