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Dr. Phibes & The Ten Plagues of Egypt – Music of the Gods Vol. II

Valerie
Dr. Phibes & The Ten Plagues of Egypt - Music of the Gods - Vol. II is the love child of two simingly opposite music styles - classical & heavy metal. It is a crazy and exhilarating mesh of heavy guitars along with classical strings, church organs and lots of noise. The second installment out of a two volume set features mixes of Beethoven's Moonlight Sonata, and Sonata For Flute, Bassoon And Bass I/II/IV by Antonio Vivaldi, apart from Bach's Fugue.
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Bella Ruse’s Self-Titled EP – indie folk with a great girl vocal

Melissa
When I first heard Bella Ruse's EP, I couldn't believe it was Creative Commons. This minimal indie folk duo have such a smooth, polished sound, it's impossible to think they're not headed for great things. Kay Gilette's rich, unique vocal sound is the foundation on which Bella Ruse's music is built, but the real magic in is the way these songs fit together to form a cohesive whole
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Nobody’s Bizness: Ao Vivo Na Capela da Misericórdia

Valerie
If you are in the mood for some good old blues, Nobody's Bizness can help you in that department. Their music is characteristic of delta music that reminds plenty of blues lovers out there just how this music originally came about. Nobody's Bizness' Ao Vivo Na Capela da Misericórdia is a compilation of acoustic blues that exudes with a touch of the rural country. It's a poignant attempt of the band to keep the Mississippi delta music alive and kicking.
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Emilie Lund: Emilie Lund EP

Valerie
Another amazing release from Aaahh Records, Emilie Lund is the latest folk genius to come out of Stockholm. Singing about her life and influences while growing up in a countryside town in Sweden under the wing of former hippie parents, Lund brings a fresh take onto the world of folk music. Her music is soothing and melancholic; soothing in its capacity to stop time and melancholic because it can make for a great background track to your homesick emotions and melancholia.
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Zhang Liming: A Gift of Despair for My Friends

Melissa
Okay, for a moment, I want you to stop thinking of music as entertainment, and stop thinking of musicians as being the ones fully responsible for bringing their music to you and spoon-feeding you its meaning. Instead, just for a short while, consider the process of making music more as a collaborative effort, where you and the musician share equal obligation in the end result.
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Krakenti: Mice Plan

Melissa
I was familiar with Krakenti’s work in the context of heavy industrial music – kind of like Trent Reznor in his angrier days. While I do like industrial, I find that most independent industrial albums can get very same-y after a while. Thus, I was pleasantly surprised to see that Krakenti’s latest release on Bumpfoot, Mice Plan, was described as a mix of “various styles,” industrial blended with trip-hop and ambient. I wasn’t disappointed.
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Jimmy Behan – In the Sudden Distance

Melissa
Jimmy Behan is one of those artists I kind of discovered accidentally. I had a couple of his releases on my hard drive, but they were mixed in with a lot of other things I'd downloaded at approximately the same time, so I didn't really notice they were there. Then occasionally a track would pop up on shuffle, and I'd think, this is great, who is this? I'd look at the name, and nine times out of ten it would be Jimmy Behan. So I dug his releases out and gave them a proper listen.
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Bangguru – Bang the Guru! EP

Melissa
For those born in the '70s, or even youngsters who just foster an invented nostalgia for what it was like to be a kid in the '80s, there's a certain timeline of sounds that inevitably weave their way through the collective memory. Portuguese electropop band Bangguru have a sound that embodies all these elements within a single package, and not only is this the kind of music I like to listen to, these seem to be exactly the sort of people I'd like to hang out with.
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