Mozes and the Firstborn‘s self-titled debut album is in true 70′s garage fashion. The album contains 12 tracks and all have that distinct musical style that will set Mozes and the Firstborn apart from their peers.
Jim Guthrie’s Remastered Edition of Now, More Than Ever is not far from the original. The poppy electronics of the remastered can be seamlessly juxtaposed to a nostalgic look down memory lane.
The Canadian singer-songwriter has foremost made a name for himself through self-produced cassettes. Having recorded as a solo artist and as a band member of Islands, Royal City, and Human Highway, it can be safely imposed that the original Now, More Than Ever is a great leap in his music career after having been nominated for a Juno Award.
Ever heard of a record that’s gorgeously enchanting and calming?
That’s how we feel about Juleah‘s third entry into the psychedelic rock canon: Entangled and Entwined. Compared by NME Radar to “the wavering vocals and instrumentation of Mazzy Star” and the “anthemic drive of Ride”, Austrian Julia Hummer successfully marries the much-hyped shoegaze genre and folk rock in dreamy ways we didn’t expect.
When was the last time you listened to a simple pop-rock record?
Amidst a musical landscape that has acts continuously trying to sound sophisticated, Jonathan Jones keeps things fairly basic and straightforward. He culls inspiration from the late 00′s big names (Coldplay, The Fray, and Jimmy Eat World) to create music that’s as radio-friendly as its easily likeable.
She’s a soundtrack staple, but there’s more to Plumb than simply upping the ante of some ordinary drama.
Known as Tiffany Arbuckle Lee on her birth certificate, the pop-rock darling has produced some notable tunes — “Stranded”, “Boys Don’t Cry” — elevating her to star status within the adult contemporary music circuits.
Mikaela Davis charms our hearts with whimsical pleasures in her self-titled musical project. The harpist/singer-songwriter from Rochester brings new eclectic flavors to the indiescape with 13 well-composed pieces.
Fluttering atop piano keys is Oh Brother. Davis surprises the listeners with her distinct vocals that curls and folds in the right places. While Where Will We Go follows with dream folk arrangement reminiscent of Camera Obscura.
Let the rhythm and blues of The Record Company wash your stale day over. Early this November, the band, which is based in Los Angeles, released their second EP, Feels So Good.
The Record Company is a trio composed of Chris Vos, Alex Stiff, and Marc Cazorla. Although their music has been compared to the classic sounds of Muddy Waters and John Lee Hooker, the band has found a way to add a fresh twist to their own music, making them timeless and unique.
And the time of the year came again to share with all of you the best of 2013 FrostWire features. From blues, to pop, electronic, hiphop and rap comes 12 of our favorite tracks from our favorite artists.
Last year over 294,000 of you downloaded our Mixtape Vol. 3 – this year lets take those numbers even higher, because the great musicians behind this compilation certainly deserve some love.
I might be a huge, huge pop fan, but I know a good rock band when I hear it.
Such is the case with Old Man Wizard, whose “rock” label isn’t only for show, but is also here to debunk everyone who’s pretending that they are.
