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Flights: Anywhere But Where I Am

If you're expecting some alternative punk duo to greet you when you listen to this record, then think again. What you'll find instead is a gorgeous blend of ethereal, folky indie pop sound that, well, sounds great as in-flight music. The band is actually made up of duo Eric Hillman and Brian Holl. Gathering influences from bands like Broken Social Scene, Radiohead, Bon Iver, Bjork and Aqualung; the duo echoes off the same laid-back, melodic and sometimes eclectic indie folk as their influences. Anywhere But Where I Am comes with 13 tracks and was released over at BandCamp on New Years Day 2012.

The Slizzies: Slizzies Going Steady

The Slizzies came about on a whim. When they first got together, only one of the members had actually played an instrument in their lifetime. Despite this complete handicap, that didn't stop the guys from agreeing to form a band. The succeeding times wasn't easy. From gathering for band practice, to actually learning to play for much of the group and of course, exiting band members; it was certainly a joyride. In the end, the succeeding members actually managed to record a couple of original tracks in true diy fashion. These tracks were recorded from various live performances and rough studio sessions. Hence, don't expect awesome quality but do expect some great punk tracks coming your way.

Existance: Miles Apart EP

Greeting 2012 with a free release, Cut Music is offering a brand new mini EP. Injecting a slightly new feel compared to their usual releases, Miles Apart EP from Existance, slightly exudes a more R&B electronic dubstep feel. This short 3-track compilation features smooth rhythms and hypnotic vocal samples. Although it's short, the tracks in the record are easily likable, thanks to skillful mixing and just a knack for creating some fine, easy-listening beats.

Grand Child: My Head Is In The Clouds

My Head Is In The Clouds is the second release from Texas native, Grand Child. Composed of one man behind the scenes, namely Andy Lane; the album is a gorgeous mix of folk, psychedelia and acoustic indie pop. Lane originally played for punk/ska band, Driver F. This is his solo project and it's nowhere near the music he plays with his band. His sound instead focuses on acoustic folk while incorporating psychedelia, and some catchy pop tunes here and there. It's a nice little record worth exploring if you want an album that's laid-back yet a little different to keep you company.

The Please & Thank Yous: Mind Yr P’s & Q’s

These Chicago natives describe their journey on their Facebook as "a bunch of wimps started practicing in a basement. Some left, others joined, and a couple managed to remain constant. They are playing shows, touring, and recording their sophomore slump." Well, those basement practices sure did pay off. The Please & Thank Yous sound is jolly punk pop, reminiscent of Goldfinger from the 90s and the many punk bands that never took themselves too seriously. It's this carefree and honesty that makes them interesting to listen to. Mind Yr P's & Q's is the band's full length debut. It's a mix of both old and new songs; narrating the bands personal take on the various happenings of life.

Emily Baker: House of Cards

Emily Baker might just be the next acoustic country folk singer to watch out for. After winning the 2009 Arts Foundation Fellowship in Songwriting award, Emily's star has been shining more than ever. House of Cards is the debut album for the singer and with the amount of attention it has received, there's bound to be plenty more to follow. The album itself is simple in delivery yet it comes armed with solid songwriting. Emily plays much of the instruments as well including the acoustic guitar, ukulele, glockenspiel, percussion and of course, her melodic vocals.

One Lick Less: We Could be Quiet

One Lick Less proves that you can do so much with just drum & bass and the occasional vocals. We Could Be Quiet contains music that hovers around free-ranging blues, progressive improv and even "spectral math rock." When you listen, it's not hard to see all this. The album is an intense, sometimes instrumental, compilation full of eclectic bits and pieces all cohesively working together. The result is impressive, in terms of range and style. It's also something difficult to describe since it's rare to hear such a unique sound.

Magentaa: Pulse

One of the many faces representing underground electronica from Munich, Germany; Magentaa releases his latest record, Pulse. This 7-track compilation carefully fuses different elements to create a cohesive album guaranteed to make it the perfect go-to record for midnight parties or quiet lounging at your apartment. There's not much personal info about the artist online, except that he has released several titles and compilations prior to this one. Most of his songs are an eclectic mix of sounds; with drum machines, electronic pianos, voice and field recordings making an appearance. It's this unusual combination that's making his electronic sonatas quite interesting to listen to.

Everybody Left: Everybody Left

If you miss the good old days of the 90s when you put on the radio and hear 311 or the Red Hot Chili Peppers creating some funky tracks; you'll probably enjoy listening to Everybody Left. Describing their sound as post ska, reluctant reggae and Funk-Hop; the band sure knows how to throw down catchy beats that don't require much thought. This British Columbia group is composed of Stephen Chatterton, Eric "The Red" Wickman, Steve "Shaggy" Fissel, "Ad-Mac" Adam McIntyre, Steve "Saxman" Cowie and Martin Milbo Schoeps.