Even Love is Bigger in Texas is an EP meant to share kindness to the People of West, Texas. Inspired by the will and urge to aid their people, the album is full of punk alternative music. The songs are very modern and the vocals would make you think as if this EP belongs to the Fall Out Boys or Panic at the Disco.
Craving for a new sound? Try to take a bite from Malayalam Beats vol. 1 and get ready to experience an eargasmic album bursting with flavor.
This seven-track collection is The Marv‘s debut EP that pays tribute to her French-Lankan origins. Selecting samples from Malayalam movie songs, The Marv has constructed a connecting bridge between traditional and modern.
Sophia Wells‘ first venture is more of like an image of a song being sung in the middle of the autumn.
Above the Fire is a five-track album made for those who love to listen to this combination of country and folk. The singer’s soulful, earthy with a pinch of rock vocals is combined with the beats of drums, and the strums of a guitar and a bass.
Let the rhythm and blues of The Record Company wash your stale day over. Early this November, the band, which is based in Los Angeles, released their second EP, Feels So Good.
The Record Company is a trio composed of Chris Vos, Alex Stiff, and Marc Cazorla. Although their music has been compared to the classic sounds of Muddy Waters and John Lee Hooker, the band has found a way to add a fresh twist to their own music, making them timeless and unique.
And the time of the year came again to share with all of you the best of 2013 FrostWire features. From blues, to pop, electronic, hiphop and rap comes 12 of our favorite tracks from our favorite artists.
Last year over 294,000 of you downloaded our Mixtape Vol. 3 – this year lets take those numbers even higher, because the great musicians behind this compilation certainly deserve some love.
With the interesting graphic cover, V/VII Based on A True Story by PMagnum (Preston Magnum) is already demanding attention from everyone.
A collection of great stories interpreted by jazzy hip-hop beats, this EP comprising of five tracks gets more emotional and enthralling from start to finish.
Never mind the hipsters. There is a compelling reason why pop’s still everyone’s guilty pleasure: it’s that darn infectious.
Take the case of Rachel Platten, for example. She edges out Vanessa Carlton by a margin on the singer-songwriter genre by upping the tempo and feel of her offerings, most of them landing her on the soundtracks of various movies and TV series. Nevertheless, the songstress has earned that revered indie cred while keeping her musicality intact.
In this day and age where the feminine figure is starting to establish its roots on various branches of this male-fueled world, it’s refreshing to hear them flip conventions too; that, as beautifully executed by Poison IV.
Megan Hamilton, who prefers to be called ‘Poison IV’, is not to one to get stuck on one genre. Despite a predominantly “hip-hop-ish” packaging, she transitions from one style to another as she pleases, not minding that she’s dipping into alternative pop, rap, and R&B as well.
Better get your “suits” on, because we’re in for a lot of good tunes!
Electro-rock acts are in so much abundance nowadays, you can’t really tell which is which. Luckily, for The Suits, their sound is distinct and sonic enough to stand up among their peers.
